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Media Insider: Learn Who to Pitch at USA Today
If you've ever been on any PR Tune Up calls or attended any of our Collective-E PR training sessions online or in person, you know that one of my BIGGEST pet peeves is when people try to pitch an outlet without actually knowing who writes for it or how that outlet works. It is 100% your responsibility as the person pitching your brand to be aware of who covers your beat, what stories they've covered in the past (to see if you are a good fit for them in terms of coverage), and how they prefer to be contacted. The latter tends to be trial and error often (I know that the majority want to be pitched via email, but sometimes a phone call is the fastest way to connect), but the former isn't as hard as it seems.
As I tell people daily - before you pitch a magazine, READ it. Know how it works, the sections, the writers and understand the masthead. The same goes for newspapers.....pick up a copy for a week and look at who is writing what in the sections.
One newspaper that many small businesses and experts that I speak with are interested in is USA Today. Why wouldn't it be? It's a fantastic paper that brings you great, validating natoinal coverage. That said, knowing you want to be in USA Today isn't enough, you need to know who to pitch as well!
Sure you can find contacts in the Collective-E media contact database, but how will you know who you should really be reaching out to? Fear not - those questions can be answered without even leaving your desk to grab the latest edition of the paper. Instead, go to the newspaper's website and check out the Reporter Index, which I've linked to HERE. In it you will find a list of the reporters who work at the paper, a profile for most of them, and links to all the recent articles they have done for the publication. Talk about one-stop-shopping for your pitch research!
I still recommend reading the publication as much as possible if you intend to pitch your story to them, but this is a great place to refer to when you find potential editors and writers to pitch.
Remember - research may seem tedious, but it will help you guarantee your pitches are headed in the right direction and that the relationships you are creating are with the people who really want to tell your story as much as you want your story to be shared!
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How to Get Your Product onto the Today Show with Kathie Lee & Hoda
How do you get your product on the Today Show? Practice, practice, practice! Wait sorry, that was how you get to Carnegie Hall.....instead, replace practice with the word pitch, and you should be good to go!
That said, the Today Show fourth hour has become quite a showcase for interesting, unique or must-have products. Nearly daily, Kathie Lee & Hoda place different products from both indie brands to creations from international corporations on their table, and during their hour long segment they periodically pick one up, show it off, talk about what it is and where to buy it. This, my friends, is often product placement gold! The Today Show has a large, loyal audience and getting a plug by either of these two women can bring you instant validation (not to mention a spike in sales).
So how do you get your product on the Today Show? As with everything in public relations, because it's not advertising nothing is ever guaranteed. However, after placing products there, as well as talking (just this past week) to the producer of the 4th hour segment, we have a few tips that will make the road to Today Show fame a little less bumpy...
Find our insider tips from the pros and the producers HERE!
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How to Pitch for Valentine's Day
Well it's that time of year again, Valentine's Day.....WHAT ?!? You're probably thinking I've finally lost my mind because if you're reading this in "real time" it's only (barely) the second week of January....How could we be talking about Valentine's Day when we just finished taking down our Christmas tree?
The fact of the matter is, media has already begun planning their short lead Valentine's Day articles, segments and gift guides. (Note to your pr campaign: long lead stories in places like monthly magazines closed in fall 2009, because these publications work 3-6 months in advance). Sure short lead outlets like blogs, television, newspapers and weekly magazines work quickly and turn over stories on a daily basis, but when they know something big like a holiday or annual event is coming, they're sure to prepare ahead of time. They also want to be sure they have the best gift guides, experts, segments and topics squared away and available to us (the viewing/listening/reading public) prior to the holiday so that they can help us shop, prepare and get ready ahead of time.
Because this holiday is only about a month away, they're well under way with Valentine's Day preparation in most short lead outlets. This means as a small business or entrepreneur you need to be well under way with your outreach and Valentine's Day offerings asap. Remember - the early birds get the worms!
With that in mind, CLICK HERE to find tips for pitching products, services and experts, as well as pitching ideas and what you need to do to prepare....so get ready to take some notes and do some outreach!
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What the Farewell of the Oprah Show Means to Your Brand
It's Oprah Time!
Unless you've been living under a rock you are aware that The Oprah, Oprah Winfrey herself, announced that she will be ending her show. While loyal viewers and fans shed tears and all other talk show hosts around the country began spiffing up their media reels, enterpreneurs everywhere went into a panic. I know it - I received over 15 emails in about a half an hour asking everything from "what does this mean for my brand" to "you NEED to get me on there". You'd think this would begin to affect me and that I'd be swept up into the Oprah Mania as well, but truth is, if you're a publicist, you've been hearing these things from nearly every brand you encounter from day one. Tell someone you know someone at Oprah and you get more best friends than a celebrity with an bottomless bank account.
The truth is I could tell people that yes, Oprah is a great goal and yes, Oprah can change your life but no, you should not make this the end goal of your company or your vision. I could tell them that being on the Oprah Winfrey Show means much more than insta-fame and fortune. It means you have to be ready asap when they call, that you have to be able to support national sales and everything that entails (both online and in your shipping center), that you have to be tv ready in appearance and message and know your goals for that appearance (being on Oprah in itself is NOT a goal)....I could tell them all those things but it doesn't matter because everyone still dreams of Oprah all day long.
I won't lie, I drink my morning coffee from my Oprah mug and work on manifesting amazing stories about Collective-E and my clients at Red Branch PR on a daily basis....But I only send pitches when they are both Oprah-prepared and Oprah-ready and Oprah-worthy. And I never depend solely on Ms. Winfrey to bring my brands success - I work on telling my story, our story, and other stories to multiple outlets in multiple ways. But nevertheless, this turning over of the hourglass and shortening of time for which one can debut on Oprah is finally here. There is no longer a limitless amount of shows left on the channel - and not every brand will make it.
That said, it's time to do a few things now:
Make Your Story Count: tell it well, make it relevant, make it Oprah and make it TRUE!
Share Your Story: Email it to the show, pitch the correct producer (do your research, watch the show, call the show), send a letter, share your story via their Oprah.com website (they do read those), look at what stories are coming up and see how you would fit into those already planned stories.
Grow your buzz outside of Oprah: When Oprah finds a great story online or in another magazine, or if her producers read about something big and that everyone is buzzing about, that story has a better chance at getting on the air than one that has never been heard before. So go out and create buzz about yourself and your brand. Make it exciting, make a producer WANT to tell your story. Keep doing what you are doing and doing it well, and the press will find you. Of course keep sharing great things with them, but make yourself so buzzed about that they can't help but hear about you!
Believe! Imagine Oprah calling your name, share your story with friends and colleagues and what your goal is, connect via your business with others and do it so well, believe in your mission so much, that others will find that belief infectious and want to help tell your story!
Now go forward with hope for Oprah, yes, but moreso with hope for a great pr campaign, a great story, and a great time making your brand the best it can be and affecting others in a good way as you do it!
Door to Door Evangelists Remind Me How to Pitch
Today while rushing out my door I ran smack into two women who were ringing the doorbell to disccuss the topic of "Technology: Blessing or Curse?". Ironically I was juggling my iPod, Blackberry, carrying a laptop, and staring at an iTouch when this collision occurred.
Needless to say I was in a hurry, mildly frazzled and in no mood to talk to strangers about something that I had no interest in at the moment (though I'll admit it was a great topic for a coffee break, just not for the first few minutes of my morning). Just as I was opening my mouth to tell them how late I was and that I was not interested in whatever they were selling, the lead woman did the following:
Smiled calmly and looked into my eyes
Handed me the flier
Said "I know you weren't expecting us and we don't want to take any of your time, just wanted to share this information about (insert info on their mission here) and leave you with this follow up information" in a kind and clear manner.
Introduced herself and asked what my name was (I automtaically answered)
Said thanks and have a nice day
Was on her way
Before I knew it I had stopped disliking them, I had grabbed the pamphlet and stuck it in my bag, I had given her my name and smiled back at her, and I had listened to her entire "pitch" which took about 30 seconds max.
This is a perfect example of pitching come to life and we can all take valuable reminders from it:
Don't tell them your whole life story and purpose just give 'em the points that matter
Introduce yourself and smile (even smile on the phone, it changes the pitch I swear)
Ask for their name - make that personal connection
Keep it short and sweet, speak clearly and calmly, and then acknowledge you appreciate and respect their time
Leave them something (whether a follow-up email, a media kit, a press release, a link to your site)
Be gracious and move on
These are techniques that apply whether you're pitching via email, the phone, in person or clearly door-to-door. If someone can pitch me when I'm rushing off to catch a morning train, they can surely work on editor or producers!
Happy pitching!
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FTC Tightens Guidelines on Bloggers, Tweeters to Encourage Transparency in Paid Endorsements
You may have read already that the Federal Trade Commission (FTC) has amended its guidelines regarding endorsements and testimonials, last changed in 1980, to require bloggers to disclose a financial relationship they have with an advertiser or agency when publishing a review about a product or service. This most likely has to do with bloggers such as those recruited now by Walmart, Lifetime, or other big brands trying to influence the bloggosphere, but nonetheless, the guidelines do not discriminate. In the words of the FTC:
| The revised Guides also add new examples to illustrate the long standing principle that “material connections” (sometimes payments or free products) between advertisers and endorsers – connections that consumers would not expect – must be disclosed. These examples address what constitutes an endorsement when the message is conveyed by bloggers or other “word-of-mouth” marketers. The revised Guides specify that while decisions will be reached on a case-by-case basis, the post of a blogger who receives cash or in-kind payment to review a product is considered an endorsement. Thus, bloggers who make an endorsement must disclose the material connections they share with the seller of the product or service. |
The Wall Street Journal published a piece on this, implying that the FTC wanted to restrict gift giving to bloggers, and followed up with at least two clarifying articles which made it clear that the FTC was targeting advertisers, and not bloggers, to maintain the ethical responsibility to fully disclose when bloggers are paid to positively review a product. In the FTC article mentioned above, tweets from Twitter are not mentioned, but The Wall Street Journal does include them in its analysis, as any experienced online person would as well, since both blogs and personal Twitter feeds aka "micro-blogs" and are being used to endorse products and services, both in a paid-for-services way, and in a strictly editorial way.
Discussion on this topic can go in several directions, including the direction of federal government involvement in general and whether or not it's a good idea. Let's refrain from that conversation, and instead focus on why the FTC was compelled to amend these guidelines in the first place. Usually government springs into action based on a relevant current issue. The issue here is clear: the bloggosphere has been growing and growing. The Twittersphere has been growing even faster because creating content for a "micro-blog" is a lot easier than publishing a proper and effective blog post. That said, some bloggers and tweeters are taking liberties with their public voices which may not be in the best interest of maintaining truth and trust when endorsing a product or service, and can actually pollute so called "word-of-mouth" marketing. Let's explore:
BLOGGING: BACK TO BASICS
Bloggers started blogging, in my opinion at least, to have a voice. As a voice, they had to say something worthwhile to maintain an audience. Some were talented enough to just write about their lives. Others had to have themes and be top trendspotters. Like magazines, they searched the world for good product or service to recommend. Early PR firms or boutique firms actually had their finger on the pulse of this word-of-mouth movement that at the time, was extremely genuine because bloggers had devoted followings - small or large - each had some kind of influence over purchasing decisions. As a blogger myself, my first direct pitch was from then first time author Jennifer Solow. She reached out to me to review her then new book, The Booster. Her directive: if you like it, please blog about it. If you don't like it, please don't. Well I did review it, but *gasp* I didn't mention that she sent me the book to read. Ethics would indicate that maybe I should have disclosed that I got a free book, but you know what? If the book was bad, A. I'm not going to finish it, and B. I'm not going to recommend it to anyone because my reputation would not be trusted when others went out and bought it and were bored stiff. But I could have added a little sentance at the bottom of the post. It would not have hurt my blog post in any way.
True blogging, in my opinion, is just genuine. If you really need a sample in order to give a proper review, fine. For the nomie baby car seat cover, sending a sample to a mom blogger makes sense because it needs to be mom-tested-and-approved. But for a designer like SpoonFedArt, whose publicist first emailed me long ago, little tips about cool stuff can go a long way. When I opened the email from the publicist to tell me about something wonderful that just happened for the then new company SpoonFedArt, I read it, liked the product, and blogged about it, saying how fun my inbox was those days.
TWEETING: THE $1 TWEET
Or is that the McDonalds dollar menu?
Collective-E tweets for our members who pay for membership. Our tweets spread naturally b/c the links are just so good. Tweeting information about our members is clearly stated in our membership benefits (we refer to it as Promotyping, a term we made up), but it's also a no-brainer for us, and we couldn't not do it if we tried (that's why we made it a benefit). This is a most creative and effective use of a Twitter feed for potential profit (because yes, people do understand that part of their Collective-E membership includes endorsements from us via social networking). We didn't sell our Twitter souls for our 140 character real estate for $1 to tweet about a random product from some random guy hocking his wares. That would dilute our Twitter strength, and thus hurt our actual recommendations. If you are considering selling your Twitter stream for $1 a tweet regardless of what the product is and if you like it or not, think again if you want quality followers.
ETHICS: WHO'S JOB IS IT TO BE ETHICAL or JOURNALISTIC INTEGRITY
Bloggers who are in this for the free stuff should re-think the impact of their voices, and consider going back to basics, where their voice is key, and trust is their golden egg. You don't need to review a piece of art or a limited edition product to know you you like the look of it. If you're so concerned about integrity, put on a disclaimer that you've never actually touched the fabric or the spoon, and to buy at your own risk. But come on people.
The Wall Street Journal points out that "...newspapers generally prohibit reporters from accepting gifts from a company they write about to protect their credibility with readers." Note that reason: to protect their credibility with readers. Bloggers do not have an editorial department or publisher to please. They just press "publish" and up it goes for the world to see. This is great, but requires self-monitoring to make sure you are fairly representing an industry of words.
RELATED ARTICLES
Thanks @kelcott for passing along this article from Gally Cat: http://www.mediabistro.com/galleycat/web_tech/how_big_is_the_ftcs_new_fo...
Comments
As with most things, there is no clear cut black and white answer. All things being equal it would be nice if everything was out in the open, but it is our job as critical readers, thinkers and consumers to ask questions, and not take things as written, but ask questions. Sometimes it is important for bloggers to have the product in order to be able to really see how it works, feel how soft it is, how easy it is to use, and to give an accurate review. It's impossible to send all bloggers out there samples, therefore, doing a little homework first is key to getting the biggest bang for the buck. How many people are reached? Is it your exact audience? On both sides it is very important to know the reputation of the blogger and that of the readers. Rules and regulations can only protect so much. It is still up to each of us to have the right amount of skepticism.
Bravo on Back to Basics!
I recently received a CD in the mail to review.. It came with a nice letter suggesting that my son would enjoy it - could I please review it on my blog.
First reaction - how did they get my mailing address... Second - I have never reviewed products on my blog, why would they assume that I would do so for them... Third - They must not read my blog!
It's amazing isn't it, how lots of people pitching a blog simply do not read it. I give the person a consideration if they at least mention 1 post. I understand they can't spend hours on it, but indicating that they read something about the blog means that they care enough about their product or service, which makes me care just a little bit more too.
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What's a Magazine Deskside and How Can I Land One?
Deskside appointments. You may or may not have heard of them, but chances are if you are a product based company whether it's food or baby toys or fashion-based or a beauty product, you'll need to conduct them at some point during your quarterly pr outreach.
At it's most basic, a deskside is when you make an appointment and visit an editor or journalist at their office (and often times in the lobby of their publishing house) and have a short amount of time to share your products, give your pitch, and as I always recommend, begin creating a relationship wiht someone who could impact your brand for years to come.
So why would you want to take the time to conduct a deskside? For anyone, and especially those who don't have a showroom to take appointments in, it allows you to get to know the editor or writer covering your beat or product category, you go to them (rarely does a media person have time these days to come to your office or a coffee shop to meet), and if done well and for the right reasons (with the right people) it can create lasting relationships. Remember, at its most basic, public relations should concist of great stories and products and experts (all of you) going to people (the media) who will then share it with an appropriate audience (their readers/viewers/listeners). Because of the nature and fast pace of media, desksides tend to me more rare in television or blogs, but magazines still conduct these meetings regularly.
Though pr firms often conduct desksides for clients, and often take in a few brands at a time in some cases, there is no reason why you as a business owner can't schedule and execute them yourself. And don't just take our word for it - Collective-E member Stefany DiManno of DiManno Designs recently followed some tips and combined them with her own growing public relations DIY skills and booked appointments with editors from Lucky Magazine to Redbook. Again, though nothing is guaranteed at a deskside appointment, ,what is guarnateed is human interaction, and these days when we communicate so much via email, phone and text, a little face to face time can be just what your pr plan needs. With that in mind, let's first talk about how to know if you should go on a deskside, how to land one, and what you need in order to execute a successful meeting that is worth both your and your media contact's time.
DO I NEED A DESKSIDE:
Though the temptation of meeting with an editor can be strong and exciting, don't schedule these appointments unless you have samples and products available not only to bring in, but that will be available to sell and for readers to access in the time frame for which the editors are pulling. In other words, if you are going to a monthly magazine, remember that they are working 3-6 months ahead, so you should be bringing in products that will be available on that timeline. If you are going to a shorter lead (a weekly magazine, newspaper, television, or blog) keep in mind the product must be available immediately.
Is your collection or are your products organized and ready to be viewed? In other words, whether you are creating a line of brownies or a series of finance tutorials, is the product line totally thought out, the packaging and pricing done and organized, sales set up (or at least online) or have you fully conceptualized your handbag collection? Don't ever take editors "works in progress". Value their time. They are on a massive time crunch to execute issue after issue, and many are short staffed. This means every second of their time counts, and that deskside better mean something.
HOW DO I LAND A DESKSIDE:
In my (and several publicists & Collective-E members) experience, the fastest way to land a deskside is to reach out to the correct editor at the magazine you are reaching out to via email. Don't know who this may be? Then you haven't been doing your research & reading the outlet or checking their mastheadto see who covers your beat. Do your research! Once you have, and you know which magazines you are going to reach out to, and with that we preesent a great step-by-step guide to getting that appointment, found in our How To's & Advice section on desksides HERE.
Face Your Pitching Fear, & Get FIERCE!
Listen to me: you are an entrepreneur, a risk taker, and you're fearless! How do I know this? Because if you're reading this you either run a company, are launching a company or have entertained the idea of being your own boss.
This means you've had to do some scary things that require you to step outside of your comfort zone. Nevertheless, day in and day out I hear people talking about how afraid they are to pitch when running their pr campaigns.
Here's a secret....sometimes I am too. There's nothing more intimidating on some mornings than cold calling an editor or producer at Forbes, the Today Show, Tyra Banks, Glamour....Heck even when I'm calling my regular contacts at those outlets I can get nervous because I know that I'm probably interrupting them, I'm taking a risk putting myself or client out there, and I may trip up over my words and mess up the pitch.
So there, I admit it, those thoughts run through my mind too. The difference is, I really can't let them hang out and lounge in my brain, I have to keep 'em moving because the fact of the matter is, if those pitches don't get phoned or emailed in, they are doing no good sitting in my brain or my computer's hard drive. It's my JOB! And the it's your job too. As hard as it is to get up the nerve to pitch, or to understand how to do it the right way and who to contact, if you want to have a successful pr campaign it will have to become less difficult for you.
Here's the next secret/anecdote: Yesterday I was pitching the Tyra Banks Show and I was nervous! And I pitch them monthly at least! But I knew that the producer's time was important and that when she is pitched she wants segments that scream "Tyra" and "FIERCE" (no lie). She has said that before. I wanted to be sure that I pitched her something that was on point, that would excite her, and that she would not delete it or hang up on me. So I did my research, wrote up my script, and then decided to email it to her. Within 5 minutes she wrote called me and wanted me to pitch it on the phone. EEEK! I've done this so many times I pitch in my sleep but when Tyra's producer calls you up you want to work it! Instead of getting flustered I referred to my script, listened to what she wanted, and slowly and calmly told her what we could do for her, making sure it was on point with their audience and the style of the show. SHAZAMM! it worked! All I thought afterwards was, thank goodness I stepped up to the plate and mastered my fear and didn't waste time on pitching that contact. The more time you let yourself put it off, or focus on your fear, the more pitching time you're LOSING! You could be booking segments! And if they don't like it - that's okay! Here's some more Tyra news for you - I pitch her all the time, do I get every segment on? No! Does she return all my calls and emails? No! Does she call me when she wants something? Yes! Do I keep pitching? Yes! Do I get nervous? Sometimes! Does that stop me? Heck no!
Looking back, some of the best placements I myself have received have been places I had nerves reaching out to, but I knew were necessary. Once I began the pitch I was fine, and even times when I messed up? Well that's life, and that's what follow up emails are for! (and why having a pre-written pitch script is a necessity.) Just think, I would tell myself, what if you hadn't pitched that outlet out of fear or not thinking you could get in there? You could have missed that amazing opportunity! And the more I learned to conquer that fear the better my results were!
So now back to our thougths of fear of pitching and how to overcome those. It's time to face our pitching fears and, as Tyra Banks would say, GET FIERCE! In order to help you do that, I've created a list that will help you - in some ways quickly, and in some ways in the long term. Some are little suggestions, others require time and effort, but I think and hope all will pay off!
GET FIERCE (at pitching) LIST:
Have a special space and time devoted to pitching. You have to be in a good place mentally, you have to be focused, and feel at ease before you start reaching out.
- SCRIPT IT OUT: Whether you are pitching via phone or email, have a script that you can follow, or a pre-written pitch you can adjust for the outlets you are pitching and email, OR have the specific pitches for different outlets prepared before you pitch. Basically don't just sit down and start to cold call people or email without a plan, and a plan you have checked over!
- KNOW who you are reaching out to first. This could mean know which newsdesk you are calling and what style of news the program covers (as well as what part of the show you are pitching), or it could mean knowing the specific editor you will be emailing, and understanding their beat before you reach out. In pitching, knowledge is power, and you want to be as aware of who you're addressing as possible.
- PRACTICE your pitch. I still run things by my business partner at Red Branch PR, and Beth & Katie, when talking about pitches. I practice over the phone with my mom sometimes when I have a new idea. I never send out a pitch without it being checked over carefully (well almost never but when I don't I regret it). The more you are used to and "feeling" your pitch the better it will sound.
- DON'T take things to personally! The most successful publicists and entrepreneurs I know getting press are not too worried about sounding silly or being shot down. If you don't try you'll never know, and if they say no, it could always be a yes another time. And if it is a no, for good, remember there are scores of other (media) fish in the sea.
- DO be polite. Introduce yourself before launching into your pitch, speak clearly and slowly, make it fast and to the point. Follow up immediately if necessary in a short, concise email.
- Nurture and grow your relationships with the press! These things take time. These editors and producers are real people who need to be respected, they like to get great and useful information first, they enjoy being referred to people they may need for stories other than yours...Be a great resource! Read what they write, get to know them, follow their work, communciate about it with them. Grow that professional relaionship and be patient with it.
- BE PATIENT ! PR is a marathon not a sprint! Take your time and realize even 2 great pitches a day turns into ten great pitches a week. Twenty mediocre or bad pitches a week yield nothing.
Now one last thing....I'm clearly on a Tyra kick today, and I have to say, say what you want about Tyra Banks, but as a business woman and public personality she is fearless, fierce, and I bet she pitches herself really well with no shame in meetings! The result of this behavior? More shows, licensing deals, and projects than I can shake a stick at!
I urge you to go forward and work hard to push yourself, take risks, and remember that the worst thing that could happen is a no (or maybe a hang up if they are not polite) but that's just a sign to move on for now! Don't let it get you frustrated! The next pitch could be THE ONE!
Bloggers Take over Front Row at Fashion Week
Fashion Week has descended upon New York City, and that means we've been following the Tweets, Facebook updates, and blogs of some of our favorite fashionistas and writers.
While reading the updates from Zandile Blay (fashion market editor of Paper Magazine, editor of the Blay Report, style editor for the Huffington Post, and one of Collective-E's fave fashion insiders) we caught an interesting update:
"Blaynistas [her blog followers] this is the year of the blogger! I swear! they are getting front row like mad!"
Come to think of it, we've been following Zandile, and her partner in crime Julee Wilson (fashion editor extraordinaire at Real Simple magazine and Real Simple Twitter gal ) throughout Fashion Week, and there they are at the hottest shows in and out of the tents, meeting with some of the hottest designers!
So what does this mean for us?
Firstly - Times truly are changing! The power of the blogger is getting stronger than ever, and thanks to the advent and exponential growth of Twitter & Facebook their messages and updates are transmitted instantly worldwide. If you are a blogger, there is no limit to what you can do.
Second: The fashion world, business world, and media in general are recognizing the power of these bloggers! The designers inviting these bloggers to shows know that endorsements from people like Zandile & Julee can impact their brand.
Third: YOU should be educating yourself as to who the most influential bloggers are in your industry. Neglecting pitching the blogs is a big no-no for your pr campaign. Sure magazines and television are important to focus on but you also have to be sure that you're sharing your expertise, products, and stories with bloggers who can instantly share it online in both their blogs and their social media links. This can start a viral buzz that can spread like wildfire.
** please note: really do your research when checking out blogs. Check their rankings, but also how long they've been around, other stories they cover, and verify their legitimacy before working with any blog.
It's also inspiring on another level, as it shows you that a strong message, a computer, and hard work can land you exactly where you need to be to make an impact - whether it's the front rows of Fashion Week or whatever is best for your brand!
I'm sure these bloggers never underestimated their power - learn a lesson from them!
Want to check out the very latest from Julee & Zandile ?
Follow Zandile's blog at www.theblayreport.com and check her out at Zandile on Twitter!
Follow all of Julee's tweets at Real_Simple on Twitter!
Comments
I really want to know who rates Fashion Bloggers and where can i get more information about it? When someone like Julee Wilson blogs, i don't question it. However when 13-years old writes one of the most popular Fashion Blogs, it makes me uneasy. Are all popular Fashion Bloggers in position and right knowledge to judge Fashion Brands?
Sabina, seems that your comments are on trend, Media Bistro reports that even the mainstream editors are blogging and looking to designers for feedback.
http://www.mediabistro.com/prnewser/events/fashion_week_notes_so_many_ma...
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